Moorland

I stopped using source materials some time ago, with the exception of occasionally working directly from sketches. This was a deliberate decision, to force myself to think more about what was happening in front of me, and to force myself to loosen up.

I like my paintings to have have one foot in representation, with larger areas of 'suggestion'. This piece, however, has both feet in representation. 

Below The Melt Line.

Oil on canvas

100 x 60 (approx)